*Previous recipients of a PAS or PASIC Scholarship are eligible to apply for additional scholarships.
Freddie Gruber began his drumming career in New York in the late 1940s. He played in the only big band to feature bebop sax innovator Charlie Parker, and he became close friends with Buddy Rich, a relationship that continued until Buddy’s passing in 1987. In the early ’60s Gruber played his way through Chicago and Las Vegas, eventually arriving in Los Angeles, where he became a key player in that city’s jazz scene. But Gruber soon discovered his true calling—teaching others how to play drums. Over the next forty years, Freddie’s students included a cross-section of drummers whose playing profoundly influenced the music of the times, among them John Guerin, Ian Wallace, Steve Smith, Dave Weckl, Mike Baird, Johnny “Vatos” Hernandez, David Bronson, Peter Erskine, Burleigh Drummond, and Neil Peart. One early student, Don Lombardi, founded the Drum Workshop company. Freddie had an unparalleled understanding of the physical “dance” involved in playing the instrument—the ergonomic relationship of the drummer to the drums. Without ever trying to disrupt a particular drummer’s “character,” he helped each student discover, express, and refine his own voice. Pictured above: Freddie Gruber - Buddy Rich - Papa Jo Jones
Armand Zildjian’s introduction into the world of music came at a very early age. Born into the Zildjian family with a 350-year-old tradition of cymbal craftsmanship, it was always understood that Armand would follow his father Avedis into the family business. For Armand, it was an honor to match cymbals for the great symphonies and to collaborate with the greatest drummers of the day to develop the new cymbal sounds musicians were looking for. In receiving his honorary Doctorate from Berklee College of Music in 1988, Armand told the Berklee students how very fortunate they were to have the opportunity to study contemporary music. “In my day”, said Armand, “the classroom was primarily the nightclubs where all the great musicians learned from each other.” As a charter member of the Percussive Arts Society and a 16 year Trustee of Berklee College, Armand sought to create more learning opportunities for today’s musicians both in contemporary and classical music. The PAS Armand Zildjian Percussion Scholarship is one step in fulfilling that quest.
PASIC 2016 Symphonic Session Grants*
The Percussive Arts Society offers grants to be awarded to those chosen and invited by the Society, with recommendation from the Symphonic Committee, to present symphonic percussion sessions at PASIC. These grants will be for sessions with single presenters and does not include group presentations. This grant program will be administered by the Percussive Arts Society and underwritten by Stanley and Margaret Leonard. There will be a maximum of twelve (12) grants, each in the amount of $300. Grant funds will be paid to the recipient following the PASIC event. Sessions should include symphonic clinic-performances, labs, opera and musical theater percussion, ethnic percussion with orchestra, band and wind ensemble percussion. *To be eligible for this grant, you must apply through the standard PASIC Artist Application Process from September 15, 2015 thru January 2, 2016.
Please visit PASIC.org for more information.
This annual scholarship for experienced rhythm facilitators is meant to defray the costs of attending PASIC for the purposes of expanding their involvement in the Percussive Arts Society in general, and contributing their expertise to the general body of knowledge for the benefit of PAS members. Applicants must be well-trained, experienced facilitators, who use rhythm facilitation as a primary tool, whether within their work in an institutional setting (education, healthcare, etc.), or as an independent professional. Please note that this scholarship may not be combined with other financial support from Remo, Inc.
2017 application available soon. Download more information.