Tap Routes: The Changing Role of the Contemporary Artist-Percussionist
by Justin W. DeHart
University of California, San Diego
2010
Percussion and Theatrical Techniques: An Investigation into Percussion Theatre Repertoire and its Presence in Australian Classical Music Culture
by Kaylie Dunstan
University of Sydney
2015
Pedagogical Potential in the Complexism Learning Process. A Performer's Journey Through Brian Ferneyhough's "Bone Alphabet" (1992) by Aaron Graham
Aaron Graham
DMA Dissertation
University of British Columbia
August 21, 2020
Digitisation, Dissemination, and Reception of Percussion Performance. Evaluating YouTube Videos of John Cage’s Third Construction Through Analysis and Case Studies
Boyce William Jeffries, Jr.
University of Toronto
2021
Performing Live with Electronics: A Percussionist's Guide to the Performance Practice of Electroacoustic Percussion Music
Dr. Matthew Jordan
Florida State University
DMA Dissertation, December 2018
Abstracted Resonances: A Study of Performance Practices Reflecting the Influence of Indigenous American Percussive Traditions in the Music of Peter Garland
by John Lane
University of Cincinnati
2010
Exploring the Diversity of Contemporary Western Classical Percussion Repertoire: Preparation Techniques and How They Influence Performance
by David Lockeridge
University of Newcastle
2013
Mobile Computer Music for Percussionists
by Charles Martin
Luleå University of Technology
2012
Creativity in the Improvised Jazz Drum Solo: An Interpretative Phenomenological Analysis
Emmanuel John Pitsiladis
The University of Sheffield, Department of Music
July 2021
A Percussionist’s Practice
by Gregory William Stuart
University of California, San Diego
2009
Performing Africa: Memory, Tradition, and Resistance in the Leimert Park Drum Circle
by Giavanni ReShae Washington
University of California, Los Angeles
2013